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    <title>History of Comics</title>
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    <id>tag:stephenwarren.net,2009-04-19:/history_of_comics//66</id>
    <updated>2009-04-19T22:23:02Z</updated>
    
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<entry>
    <title>Liefeld Tries to Get Marvel to Reprint Supreme</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/post-modern_age/liefeld_tries_to_get_marvel_to_reprint_supreme.html" />
    <id>tag:stephenwarren.net,2005:/history_of_comics//66.13045</id>

    <published>2005-06-01T04:33:47Z</published>
    <updated>2009-04-19T22:23:02Z</updated>

    <summary>Rob Liefeld attempted to persuade Marvel to publish Supreme from Marvel&apos;s ICON imprint, stating that Mark Millar helped the pitch and promised to write the first arc. Liefeld states he also discussed the possibility of publishing Alan Moore&apos;s Supreme stories...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Post-Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alanmoore" label="Alan Moore" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="rickveitch" label="Rick Veitch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="robliefeld" label="Rob Liefeld" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="supreme" label="Supreme" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Rob Liefeld attempted to persuade Marvel to publish Supreme from Marvel's ICON imprint, stating that Mark Millar helped the pitch and promised to write the first arc. Liefeld states he also discussed the possibility of publishing Alan Moore's Supreme stories at Marvel with a different artist for the whole run. Marvel turned him down. Liefeld reports this was over a naming conflict with the property Supreme Power from MAX. (It should be noted that Marvel are happy to publish the Powers book from Icon however).<br /><br />It is likely that such a move would have created considerable hostility from Alan Moore, who has opposed his work being published by Marvel, and "Supreme" artist Rick Veitch who claims that Rob Liefeld has neither returned original art or compensated him for losing it.]]>
        
    </content>
</entry>

<entry>
    <title>Micah Ian Wright lied about his Ranger background</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/post-modern_age/micah_ian_wright_lied_about_his_ranger_background.html" />
    <id>tag:stephenwarren.net,2004:/history_of_comics//66.13043</id>

    <published>2004-05-03T04:18:11Z</published>
    <updated>2009-04-19T22:23:29Z</updated>

    <summary>Micah Ian Wright (the writer of Stormwatch: Team Achilles) was an Army Ranger who had seen his fair share of action. Raised a staunch Republican, he became a strong liberal after how he saw the Republican-led US government use its...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Post-Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="micahianwright" label="Micah Ian Wright" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[<p>Micah Ian Wright (the writer of <i>Stormwatch: Team Achilles</i>) was an Army Ranger who had seen his fair share of action. Raised a staunch Republican, he became a strong liberal after how he saw the Republican-led US government use its army. Or so he had always claimed. While doing a press run for his book <i>You Back The Attack! We'll Bomb Who We Want</i> he claimed to The Washington Post that he was an Army Ranger. </p>

<p>The Post ran an article exposing Wright at about the same time that Wright wrote an apology letter for his actions. There is some debate as to whether the Post planned to print the article and so Wright apologized or if he planned on apologizing and contacted the Post to let them know the truth.</p>]]>
        <![CDATA[<blockquote>Hi.

<p>My name is Micah Wright.  I'm a former Army Ranger, and I've been lying to you.  I've kept the secret for years now, but all lies grow and eventually get out of control.  This is me coming clean about my Big Lie.  What did I lie about?  Oh, nothing much...</p>

<p>Except that I was never an Army Ranger.  I never served a day in a Ranger Regiment.  I never went to Ranger School.  The closest I ever got was Army ROTC.</p>

<p>This entire Army Ranger thing is a stupid lie which has its roots back in college.  When I was in the Army ROTC (and I really was, trust me), I met a lot of Rangers, and got to know some of these amazing men.  They always impressed me with their inspired competence and their commitment to one another. Though I enjoyed my time in Army ROTC, I decided that eight years of military service was not for me and I left the program. That ended my involvement with the military.   But once I was out of the Army ROTC program, there was a lingering impression among friends that I had been in the Regular Army.  </p>

<p>Skip forward years later to 2002.   It's post-9/11.  We'd bombed and invaded Afghanistan.  The War On Terror had officially begun. The Patriot Act had passed.  Thousands of Muslims had been swept up and held on secret charges.  America was becoming a scary place.  </p>

<p>That's when I started creating my propaganda posters.  I took familiar and iconic war propaganda images from World War II, replaced their text with new messages urging the viewer to reject the lies that they were being fed by the President, and by the news media to which America turns for the facts.   </p>

<p>Immediately upon putting the Remixed Propaganda posters on the internet, I received some of the most appalling and hateful email that I'd ever imagined possible.  It was an ugly time in our country and people were lashing out in anger and fear against perceived "domestic enemies."  I got countless death threats and letters accusing me of being a "traitor" for speaking out against George Bush.  I should have my eyes gouged out, knees broken, be shot in the face, killed like a rat with a shovel, on and on.  I received such a deluge of these letters that I began to seriously worry about my safety.  I even had my phone number de-listed after some threatening phone calls.</p>

<p>In that atmosphere the old Ranger lie came easily to mind.  I put up a "companion page" to the posters which claimed that I was a military veteran and who were these people to tell me what I could or could not say?  I was a Veteran, dammit, not just a Navy fry-cook or an Air Force typist, either, I was a former Army Ranger! I was interested to see how that one piece of information juxtaposed against the posters would change people's minds about what they were seeing.</p>

<p>After posting the webpage saying that I was a former Ranger, the number of death threats dropped drastically.  I still got hate mail, but it was now of a different sort, telling me that my opinion was idiotic or that I had been misled.  My fellow Americans seemed to believe that if you had served in the military, this gave you leeway to say what you felt... but if you were NOT a veteran, God forbid you should think opposite of what everyone else thought.  Did any of that justify my lie? No.  But it made it easier to tell.  Too easy.</p>

<p>Then I was contacted about doing a book of the posters.  The editor knew the work was good, but that wasn't the best part.  Here, he said, was a man who had been to war but who was AGAINST war!  That would be the sales hook!  A simple confession at that moment would have ended the lie--and, I felt, my hopes for publication.  I chose to continue the lie and to claim that I -was- indeed a Ranger.  What would it hurt, I thought, it's not like I'm applying for a job as a policeman or something, I'm just writing a book, right?</p>

<p>And so the Big Ranger Lie grew and grew and grew... and eventually grew out of my control.</p>

<p>As the book progressed, I was enthusiastic... it was shaping up really well.  Then my Editor mentioned that he wanted me to detail all of my Ranger experiences in Panama for the foreword--my Big Ranger Lie had tripped me up again.  I immediately threw myself into my research, learning as much as I could about the Rangers, talking to Panama vets online, reading contemporary accounts of the invasion and several books and papers from Panamanian sources to get the other side of the story.</p>

<p>Everything in the foreword to "Back The Attack" is based on the truth... except none of it happened to me. It happened to other people, other Americans, other Panamanians.  What I learned while researching government and military control of the press in the Panama of 1989 seemed increasingly crucial in examining what was happening around us in the America of 2002... many of the same exact tools were being used and NO ONE in the media was questioning them.  It was infuriating to read the Pentagon's words about the War On Terror being directly parroted by the media without any analysis or fact checking.  And that anger became my justification for continuing the lie.</p>

<p>That was when my petty Big Ranger Lie became the Big Ranger Media Hoax. How much of my story would anybody bother to verify?  Would they ever bother to do even the most basic fact-checking?  I actually planted conflicting evidence online, claiming in some places to have served in the 3rd Ranger Battalion, claiming in others to have served in the 2nd Ranger Battalion. Would anyone notice?  I put up a photo of "my" Ranger Class on my website and identified myself as an African-American Ranger.  Would anyone in the media notice?  I gave out fake Platoon Sergeant and Company Commander names... would anyone in the media bother to check to see if they were real?  To get quotes from them about what kind of "Ranger" I had been?</p>

<p>The answer was NO.  A resounding NO.  A roaring stupefying deafening NO.  I watched in amazement and simultaneous horror as the story of my "service" spread from small press book reviews to mainstream news outlets.  The story appeared in the Boston Globe, the Christian Science Monitor, the New York Times, the Fox News Channel, and countless smaller places.</p>

<p>The peak of the Ranger Media Hoax, though, was a 2-page story in The Washington Post.  A reporter called me... I decided to push it.  The reporter listened to the story about Panama.  He asked if I'd been involved in other military combat.  I told him about various imagined secret and classified missions in Peru, Honduras, Costa Rica... I had myself fighting in countries that the United States had never bothered to fight in, I put myself alongside The Nicaraguan Contras... back when I would have been in 8th grade.  Would he notice?  Or would he eagerly demand more, more, more?  He couldn't get enough.  Had I been involved in many battles?  Had I ever been wounded?  Had I ever killed anyone?  I hesitated... most of the vets I'd spoken to about this subject were very reluctant to discuss these things.  How should I approach it?  Claim to have beheaded Manuel Noriega myself?  Would he fact-check THAT? Did I have any photos of myself in the Army, he asked?  No, I claimed, I'm notoriously camera shy.  This should have set off alarm bells: the soldiers I have known have all been camera crazy... there are tons of combat photos of Panama.  Meanwhile a photo of "my" Ranger Class was online with myself identified as a black man.  Did he clue in?  Nope.  I was astounded... one of the most important Newspapers in the world was about to print what I said, simply because I affirmed that it was true.</p>

<p>A day later, the article ran.  My outrageous lies were printed verbatim. They'd dedicated two full pages to a ridiculous hoax which could have been exposed with a half hour's work.  My beliefs in the veracity of the corporate media had been shaken previously, but now they were shattered.  I couldn't figure it out. How had this happened?  I stared at the paper in shock.  Then I realized that the Washington Post had only done what they normally do: run whatever anyone in a uniform or position of authority told them to.   </p>

<p>It certainly wasn't unprecedented. After all, Governor George W. Bush had done the same thing in 2000 when running for president.  Questions arose and were quickly squashed about his military service.   Even today, Bush still hasn't released all of his military records but NO ONE in the media is crying out for them.  It's no wonder that my much smaller-scale hoax worked!   Of course, this doesn't excuse my hoax... but it certainly motivated it.</p>

<p>Within hours of seeing print, the edges of the hoax began to unravel.  I received two separate emails from real Rangers and Special Forces soldiers.  They had seen right through me.  No matter how much research you do, you can't fool an expert, and in this case the experts weren't fooled for a second.  Web pages sprung up overnight: Micah Wright is a Big Fat Liar.  "Yes," I thought, "I am." Outraged Rangers started phoning the Washington Post. We haven't heard of this guy.  His photo isn't familiar, who the hell is he?  The Post, chagrined, began "investigating" after the fact... by calling ME and asking if I was telling the truth.</p>

<p>On the face of it, it was an easy story to disprove.  A simple Freedom of Information Act request would turn up no records of me having an active duty military career.  Was sending that piece of paper too hard for anyone in the corporate media to do?  No wonder huge corporations get away with Enron-sized ripoffs. No wonder Jayson Blair was able to get away with making up the news.  No wonder that 55% of Americans still think that Saddam Hussein carried out the 9/11 attacks.  The media was sleeping on the job.  The Jayson Blair story exploded at the New York Times in April of 2003--the story about "Ranger Micah" ran in the Washington Post on July 6th, 2003.  It wasn't like they had no idea that there was a problem or that they should check their sources.  Why were they so asleep at the switch?</p>

<p>The entire time the Hoax was running, I asked myself the same question over and over again: why did so many people believe it?  Did it seem true because the media had reported it?  If so, what does that say about our blind faith in these institutions?  If the media got the story so horribly wrong about ME, what else are they horribly wrong about?  What other whoppers have they passed along to us without checking the facts on?  My take on the situation is that our media picks up a story and repeats the litany over and over again until it becomes fact.  This time it was "Ranger Micah" -- what was it last time?  What will it be next time?</p>

<p>So why come clean now, you ask?  Why shouldn't I continue on, seeing how far I can push it?  Well, frankly, I'm sick of it.  The corporate-media-hoax part of the joke isn't fun any longer, and the personal side has never been fun.  I'm sick of lying to my friends, to employers, to my fans, to myself.  I'm not a Ranger.  I've lied to so many people about this that it's made me physically ill. I haven't been able to sleep and I've just about given myself an ulcer.  The phone would ring and guilt, terror and panic would grip me: is this the day that I get found out?  Or is it NPR wanting to do a story on me?  How long should I compound the media hoax?  To lie to more people?  The waiting has become too much.  I'm killing the hoax and I'm stopping the lies.</p>

<p>The cat's out of the bag now... I've finally told the truth.  I wish I had a long time ago.  In the last year dozens of real Rangers have been killed or wounded overseas--how can I keep lying in the face of that kind of dedication?  When I read about the death of Pat Tillman, who sacrificed a high-paying football career in order to join the Rangers, I felt like even more of a fake and a heel.  It's time it all ended: I'm not a Ranger, I was never a Ranger and I'm sorry for ever saying that I was. I apologize to every Ranger and to the families of every Ranger.</p>

<p>I lied, and I apologize for that from the bottom of my heart... it was a lousy thing to do and I'm sorry about it.   A special apology is owed to the people who I hurt by putting them in the position of spreading my lie, people taken in by the Hoax, and people whose credibility I've helped corrode.  For the last two years, this has kept me up nights, wondering why I didn't just come out with it.  I can only blame that most human of emotions: fear.  </p>

<p>There was one thing that I didn't imagine, that I couldn't imagine:  that a lie like this would grow and grow and eventually consume every facet of my entire life.  It has weighed on my heart and on my mind for two full years now, slowly crushing my spirits, contaminating my friendships, and threatening to destroy everything about me.  I'm well shed of it now.  I just hope that others can find it in their hearts to forgive me.</p>

<p>And please... no more death threats.</blockquote></p>

<p>This shook the comic industry to its very core. Famous comic author Kurt Busiek wrote: </p>

<blockquote>Micah:

<p>Stop defending yourself. It only makes it worse.</p>

<p>You've already confessed to being a liar after years of insisting that you were telling the truth. Every time you insist that people take your word for something now, whether it's that you got death threats so they shouldn't judge you or that you came forward first and the Post is therefore lying or that all your friends told you to post self-serving shit about how Big Media should have checked up on you, all you're doing is making another claim with no credibility behind it. Could be so, could be no -- but you have no standing to say, 'trust me, it happened the way I say it did.' You burned that platform yourself, and got attention and money in the process.</p>

<p>The only way to recover, to whatever extent you're going to, is to move forward -- not make more unverifiable claims, but buckle down and do good work. Whatever hole you're in, deal with it -- you dug it, it's your hole. Do enough good work, and people will start to judge you on that. Do it long enough, and it'll outweigh this.</p>

<p>But don't get huffy about the criticism and bitch about how people are being unfair to you. You lied to them. You admitted it. Stand up, take the reaction your statements have brought on you, and move forward.</p>

<p>And if you feel you took a few unfair lumps in the process, too bad. Think about the people who you called liars and haters, think about Carlos D'Anda suddenly having devoted months of his life to a tainted project, think about the folks at Oni dealing with having a big stack of inventory they thought your name would help but will now actually hurt, think about how fair that is, and quit bitching that you don't like the criticism.</blockquote></p>]]>
    </content>
</entry>

<entry>
    <title>Alias&apos; Anal Sex Scene</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/post-modern_age/alias_anal_sex_scene.html" />
    <id>tag:stephenwarren.net,2001:/history_of_comics//66.13044</id>

    <published>2001-11-02T05:18:39Z</published>
    <updated>2009-04-19T22:24:02Z</updated>

    <summary>Marvel was unveiling its new mature reader line MAX and one of the first books coming out was the Brian Michael Bendis written Alias, which was said to feature an anal sex scene featuring Jessica Jones, the former Spider-Woman, and...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Post-Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="brianmichaelbendis" label="Brian Michael Bendis" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Marvel was unveiling its new mature reader line MAX and one of the first books coming out was the Brian Michael Bendis written Alias, which was said to feature an anal sex scene featuring Jessica Jones, the former Spider-Woman, and Luke Cage. An instant uproar came out. American Color Graphics, a comic printer based in Sylacauga, Alabama stopped the presses once they learned of the scene. <br /><br />When the issue finally came out most were shocked to find that the scene was not very explicit or graphic, instead consisting of close-ups of Jessica's face and captions of her inner monologue. Rather than being a degrading publicity stunt as first accused, the scene was motivated by the story and had greater implications for her relationship with Luke Cage.]]>
        
    </content>
</entry>

<entry>
    <title>Marvel Declares Bankruptcy</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/gimmick_age/marvel_declares_bankruptcy.html" />
    <id>tag:stephenwarren.net,1997:/history_of_comics//66.13048</id>

    <published>1997-01-24T19:41:20Z</published>
    <updated>2009-04-19T22:24:58Z</updated>

    <summary>Marvel issues a press release declaring they&apos;ve filed Chapter 11 bankruptcy. They tried to go around Diamond and self-distribute. Only the market collapsed and they were left with a huge amount of product. The bubble had burst. The Gimmick Age...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Gimmick Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="marvelcomics" label="Marvel Comics" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Marvel issues a press release declaring they've filed Chapter 11 bankruptcy. <br /><br />They tried to go around Diamond and self-distribute. Only the market collapsed and they were left with a huge amount of product. The bubble had burst. The Gimmick Age was over.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Age of Apocalypse</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/gimmick_age/age_of_apocalypse.html" />
    <id>tag:stephenwarren.net,1995:/history_of_comics//66.13049</id>

    <published>1995-02-01T19:44:08Z</published>
    <updated>2009-04-20T05:06:13Z</updated>

    <summary>Marvel killed off Professor Xavier and all hell broke loose....</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Gimmick Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        Marvel killed off Professor Xavier and all hell broke loose.
        
    </content>
</entry>

<entry>
    <title>Spider-Man: Clone Saga</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/gimmick_age/spider-man_clone_saga.html" />
    <id>tag:stephenwarren.net,1994:/history_of_comics//66.13047</id>

    <published>1994-10-01T18:33:29Z</published>
    <updated>2009-04-19T22:26:33Z</updated>

    <summary>Three powerful words... Spider-Man Clone Saga....</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Gimmick Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="spiderman" label="Spider-Man" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        Three powerful words... Spider-Man Clone Saga.
        
    </content>
</entry>

<entry>
    <title>Zero Hour</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/gimmick_age/zero_hour.html" />
    <id>tag:stephenwarren.net,1994:/history_of_comics//66.13040</id>

    <published>1994-09-02T03:41:00Z</published>
    <updated>2009-04-19T22:26:51Z</updated>

    <summary>Zero Hour was meant as a follow-up to DC&apos;s maxi-series Crisis on Infinite Earths, to both do for the timelines what Crisis did for alternate realities as well as answer some unforeseen problems that arose out of Crisis (most notably...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Gimmick Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        Zero Hour was meant as a follow-up to DC&apos;s maxi-series Crisis on Infinite Earths, to both do for the timelines what Crisis did for alternate realities as well as answer some unforeseen problems that arose out of Crisis (most notably serious confusion over Hawkman). The main controversy arose not out of the premise however but over the execution, in particular the arrival of Hal Jordan, the former Green Lantern, as the misunderstood villain Parallax.
        
    </content>
</entry>

<entry>
    <title>Deathmate Black</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/gimmick_age/deathmate_black.html" />
    <id>tag:stephenwarren.net,1993:/history_of_comics//66.13046</id>

    <published>1993-09-01T18:16:59Z</published>
    <updated>2009-04-19T22:27:25Z</updated>

    <summary><![CDATA[Image and Valiant try to put out a comic mini-series. It is an utter failure. Despite being cover dated from September, the issues consistently came out six months or more late.&nbsp;...]]></summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Gimmick Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Image and Valiant try to put out a comic mini-series. It is an utter failure. Despite being cover dated from September, the issues consistently came out six months or more late.&nbsp;]]>
        
    </content>
</entry>

<entry>
    <title>Maus wins a Pulitzer Prize</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/modern_age/maus_wins_a_pulitzer_prize.html" />
    <id>tag:stephenwarren.net,1992:/history_of_comics//66.13058</id>

    <published>1992-04-19T22:16:50Z</published>
    <updated>2009-04-19T22:27:51Z</updated>

    <summary>Art Spiegelman&apos;s Maus wins a Pulitizer Prize, the first ever comic to do so....</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Art Spiegelman's Maus wins a Pulitizer Prize, the first ever comic to do so.<br /> ]]>
        
    </content>
</entry>

<entry>
    <title>People: Rob Liefeld</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/people/people_rob_liefeld.html" />
    <id>tag:stephenwarren.net,1988:/history_of_comics//66.13041</id>

    <published>1988-01-02T04:44:20Z</published>
    <updated>2009-04-19T21:49:12Z</updated>

    <summary>Rob Liefeld was one of the head honchos behind the creators who fled Marvel to start the independent giant that is Image Comics. He grew to fame creating such characters as Deadpool and Cable and drawing New Mutants and later...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="People" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[Rob Liefeld was one of the head honchos behind the creators who fled Marvel to start the independent giant that is Image Comics. He grew to fame creating such characters as Deadpool and Cable and drawing New Mutants and later X-Force. Once Image started up he came out with Image's first title, Youngblood under his imprint Extreme Studios (he also had Maximum Press which was outside of Image Comics). <br /><br />After a few years at Image Comics he was kicked out after he broke one of the few rules of Image, not trying to steal each other's talent. He had his eye on the very talented Michael Turner and decided to make him an offer to see if he'd leave fellow Image owner Marc Silvestri. Once he was out on his own he decided to form his own company, Awesome Comics, alongside Malibu Comics founder Scott Rosenberg.<br /><br />Besides his attempt at poaching talent at Image, the other accusation against Liefeld has been plagiarism. From his early days at Marvel until his time at Awesome, many of his characters bore more than a striking resemblance to other characters. For example: Deadpool was said to be based on Deathstroke the Terminator, his group of immortals called the Externals were thought to be a rip off of the popular Highlander film series, a Superman-inspired Supreme, a Wonder Woman look-a-like in Glory, and Agent America who looked a lot like Captain America (this character was later turned into Fighting American after Marvel brought a lawsuit, Fighting American was a pre-existing Jack Kirby character that Liefeld bought the rights to).<br /><br />The final range of debate over Liefeld is his particular art style. There are numerous complaints but some of the most prominent are:<br />&nbsp;<br />1) Limited facial expressions, generally ranging from barely-restrained anger to a look that is regularly described as "constipated" by less charitable commentators<br />2) Distorted proportions such as tiny heads, wrists, and ankles and oversized breasts and muscles, as well as the occasional swipe with female face and breasts layered onto an obviously male figure<br />3) Conspicuous panel-to-panel inconsistencies in costumes, backgrounds, and even the number of digits on characters' hands<br />4) Poses that appear to be both illogical (in the context of the plot) and anatomically impossible, or at least uncomfortable.<br />5) Skewed perspective: often a picture will be begun in one perspective then be finished in another. <br />6) Disproportionate facial features. Eyes are frequently asymmetrical, often drawn on a skewed axis on the face; noses are often misplaced; and grimacing characters regularly display impossible numbers of uniformly-shaped teeth. <br /><br />Despite all this controversy, Liefeld remains one of today's big names creators if for no other reason, he draws a crowd. He is, after all, a self-proclaimed "most hated man in comics."]]>
        
    </content>
</entry>

<entry>
    <title>Twilight of the Superheroes</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/modern_age/twilight_of_the_superheroes.html" />
    <id>tag:stephenwarren.net,1987:/history_of_comics//66.13039</id>

    <published>1987-01-02T04:37:45Z</published>
    <updated>2009-04-19T22:28:18Z</updated>

    <summary> After Alan Moore wrote Swamp Thing, Watchmen and the Killing Joke he submitted a proposal to DC for a new mini-series that would help revitalize their entire franchise. This proposal was called Twilight of the Superheroes (a pun on...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[<p> After Alan Moore wrote Swamp Thing, Watchmen and the Killing Joke he submitted a proposal to DC for a new mini-series that would help revitalize their entire franchise. This proposal was called <i>Twilight of the Superheroes</i> (a pun on Nietzsche's "Twilight of the Idols" no doubt). </p>

<p>The best description of the miniseries that I could find came from Wikipedia.org: The story would feature a world ruled over by superheroic houses, in which the two most powerful, the House of Steel (presided over by Superman and Wonder Woman) and the House of Thunder (consisting of the Marvel family) are about to join forces through a political marriage between the children of the two families. Such a marriage would make the combined houses an unstoppable force and a potential danger to freedom, and as such certain characters set about a complex plot to prevent the marriage and free humanity from the power of the superheroes. By the climax of the story, elements from all across the universe and from up and down the timestream would be brought in. Unusually, the series would highlight many obscure and forgotten DC characters by putting them in important roles, and the lead character would be John Constantine, whose interaction with the superheroes of the DC Universe had up until then (and indeed since) been rather minor.</p>

<p>There have been claims that Moore's proposal was later used for Kingdom Come and as the basis of DC's hypertime. The fact that DC has filed cease and desist orders or straight out lawsuits against anyone who would show such information does help the accusation that this is true. Mark Waid and Alex Ross have both admitted that before they published Kingdom Come they read Moore's treatment and that any similarities are minor and coincidence.</p>]]>
        
    </content>
</entry>

<entry>
    <title>New Universe</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/modern_age/new_universe.html" />
    <id>tag:stephenwarren.net,1986:/history_of_comics//66.13042</id>

    <published>1986-11-06T04:55:42Z</published>
    <updated>2009-04-19T22:28:34Z</updated>

    <summary>When Marvel hit its 25th anniversary back in 1986, then Editor-in-Chief Jim Shooter decided to start up a new comic imprint at Marvel called the New Universe. It was supposed to be a more realistic, &quot;world outside your window&quot; style...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Modern Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="newuniverse" label="New Universe" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[When Marvel hit its 25th anniversary back in 1986, then Editor-in-Chief Jim Shooter decided to start up a new comic imprint at Marvel called the New Universe. It was supposed to be a more realistic, "world outside your window" style of superhero storytelling. The line got a lot of advertising but the board of directors drastically cut Shooter's budget when it came time to actually hire creators. The line hit further snags when some characters were accused to be rip offs of preexisting characters (such as Starbrand being a poor man's Green Lantern). After Shooter was forced to take his leave of Marvel, Mark Gruenwald tried to revamp the line including allowing the complete destruction of Pittsburgh. Still, it was too little, too late and the line eventually ran out.&nbsp;]]>
        
    </content>
</entry>

<entry>
    <title>Comic of Note: Amazing Spider-Man #121</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/dual_age/comic_of_note_amazing_spider-man_121.html" />
    <id>tag:stephenwarren.net,1973:/history_of_comics//66.13050</id>

    <published>1973-06-02T00:14:02Z</published>
    <updated>2009-04-19T22:29:02Z</updated>

    <summary>Gwen Stacy died. How messed up....</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Comics of Note" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Dual Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="spiderman" label="Spider-Man" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        Gwen Stacy died. How messed up.
        
    </content>
</entry>

<entry>
    <title>Comic of Note: Marvel Comics #1</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/golden_age/comic_of_note_marvel_comics_1.html" />
    <id>tag:stephenwarren.net,1939:/history_of_comics//66.13038</id>

    <published>1939-10-01T22:18:18Z</published>
    <updated>2009-04-19T22:29:26Z</updated>

    <summary> &quot;The Human Torch&quot;Writer: Bill EverettArtist: Bill EverettMARTIN GOODMAN WAS A SUCCESSFUL publisher of pulp fiction magazines that covered all the bases: war, horror, romance, adventure and science fiction. But he had never created titles to rival those created by...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Comics of Note" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Golden Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="humantorch" label="Human Torch" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="submariner" label="Sub-Mariner" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[<div class="comic-of-note">

<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="cover_marvel_comics_1.jpg" src="http://citizencomic.com/history/images/cover_marvel_comics_1.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="251" width="175" /></span> <div align="left">"The Human Torch"<br />Writer: Bill Everett<br />Artist: Bill Everett<br /><br />MARTIN GOODMAN WAS A SUCCESSFUL publisher of pulp fiction magazines that covered all the bases: war, horror, romance, adventure and science fiction. But he had never created titles to rival those created by his competition, which was probably why he was receptive to a business proposal from an outfit called Funnies Inc.</div>



<p>The deal was simple: Funnies Inc. was prepared to give Goodman a complete package of artwork every month for him to print, and the printing costs would be covered by the service fee asked by Funnies. By 1939, several publishers had proven the profit to be made in the comic industry, so Goodman decided to give it a shot.</p>

<p>They probably had no idea of the history about to be made. Funnies Inc. employed several veterans of the booming superhero business, and they came up with a lot of new ideas for costumed adventurers. Bill Everett's creation, the Sub-Mariner, was given the anchor spot. Carl Burgos, seeing Bill's watery creation, perhaps saw a fitting balance in the Human Torch, an android whose artificial skin burst into flames upon contact with oxygen. And Ben Thompson created Ka-Zar the Great, a character that carried the civilized-man-in-the-jungle theme just far enough away from a certain Lord of the Apes to avoid any lawsuits.</p>

<p>Marvel Comics #1 (retitled Marvel Mystery Comics by the time the second issue hit the stands) was devoured by an audience eager for original stories about superheroes, and their adventures thrilled readers for a decade. And when Marvel Comics got back into the superhero business in the 1960s, the writers didn't forget the heroes in that first book that made it all possible, eventually resurrecting the Human Torch, the Sub-Mariner, and Ka-Zar for a new generation of comic readers. </p>

</div>]]>
        
    </content>
</entry>

<entry>
    <title>Comic of Note: Action Comics #1</title>
    <link rel="alternate" type="text/html" href="http://stephenwarren.net/history_of_comics/golden_age/comic_of_note_action_comics_1.html" />
    <id>tag:stephenwarren.net,1938:/history_of_comics//66.13037</id>

    <published>1938-04-01T22:04:30Z</published>
    <updated>2009-04-19T22:29:49Z</updated>

    <summary> &quot;Superman&quot;Writer: Jerry SiegelArtist: Joe ShusterA 13 page story of Superman, that&apos;s what sparked a revolution.Sure, heroes were nothing new in 1938 -- the Shadow, Flash Gordon and other heroic types had entertained readers for years in comic strips and...</summary>
    <author>
        <name>jaybeans</name>
        <uri>http://www.stephenwarren.net</uri>
    </author>
    
        <category term="Comics of Note" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Golden Age" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="jerrysiegel" label="Jerry Siegel" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="joeshuster" label="Joe Shuster" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="superman" label="Superman" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://stephenwarren.net/history_of_comics/">
        <![CDATA[<div class="comic-of-note">

<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="cover_action_comics_1.jpg" src="http://citizencomic.com/history/images/cover_action_comics_1.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="251" width="186" /></span>"Superman"<br />Writer: Jerry Siegel<br />Artist: Joe Shuster<br /><br />A 13 page story of Superman, that's what sparked a revolution.<br /><br />Sure, heroes were nothing new in 1938 -- the Shadow, Flash Gordon and other heroic types had entertained readers for years in comic strips and movie serials. But how many of those guys could <i>lift an entire car over their heads</i>?!? In our jaded time, it's impossible for us to imagine the feelings kids must have felt when when they saw that first issue. </p>

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